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The Secret of Water Mixable Oils
Paint without solvents
Reduce health hazards
Years ago I tried water mixable oils when they first came out. Unusable would
be a generous evaluation.
I threw them away and forgot about them. Fast forward
twenty years...the new WMOs are very usable.
Not exactly like regular oils, but
very close. I recommend using very little or no water in actual painting.
Instead a drop or two of medium.
...and Recommended materials for the beginning oil painter.
I've researched the latest brands of paint and
listed them below with suggestions for the beginning oil
painter...colors, brushes, canvas, etc., plus
a good book on the subject.
Paint
Brushes
Canvas
Other
Optional
Recommended Book
Have regular
oil paints you like to use up, but don't want to paint with solvents?
You will find a huge amount of art
instruction
on this website.
Start with
The Secret to Making
Better Paintings.
Water mixable
Video Demos
...another demo...
Peacock Vase, 6x8", Artisan oils on canvas
Paint
Brushes
Canvas
Other
Optional
Recommended Book
SIX BRANDS OF WATER MIXABLE OIL PAINT AND RECOMMENDED COLORS ...for the beginning painter |
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Best Buy
Update: Apr 9, '09 |
Many of the Items
below can be found at Dick Blick! |
Why water mixable oils? |
You
may also enjoy shopping here...
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1. Student Grade - Lukas Berlin |
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NEW! "LUKAS' signature beeswax additive
also imparts the beloved buttery consistency to Berlin Water-Mixable
Oil Colors..."
Updated Nov. 20, 2013 From the reviews this is worth a try for sure. LUKAS Berlin contains only selected pigments of highest possible lightfastness in their class. Only pure, modified linseed and sunflower oils are used as binders. To enable the mixability with water—without influencing the other characteristics of the oil color like drying time, lightfastnesses and brilliance—LUKAS has developed a special procedure of modifying oils that guarantees a nearly water-free and water-resistant (color) film structure.
LUKAS Berlin dries like a 'real' oil color. That makes LUKAS Berlin a
real alternative to traditional oils for the casual or professional
painter. Available in 30 colors in 37 ml and 200 ml tubes.
Less expensive than Talens H2Oils...
37 ml........$3.08
200 ml......$9.44
Just the thing if you're on a budget.
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1. Ultramarine 37 ml 2. Primary Yellow 37 ml 3. Primary Red 37 ml 4. Titanium White 37 ml or 200 ml even better 5. Ivory Black 37 ml 6. Quick Dry Medium 2.5 oz (74 ml) Optional Colors... 7. Cadmium Red Lt 37 ml 8. Yellow Ochre 37 ml 9. Primary Blue 37 ml 10. Cadmium Orange 37 ml
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You can find Lukas Berlin at.... Jerry's Artarama
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Van Gogh's water soluble oil
colors require no solvents and can be thinned with water, yet they
contain no water. They are easy to use, and environmentally friendly, yet
they retain the look and intensity of oil color. Van Gogh's H2Oil Color dries much faster than ordinary oils. In thin layers, the colors can normally be over painted in 24 hours. Thick layers typically dry about four times faster than standard oil paints. It retains brush strokes completely, as with regular oil colors. Colors are brilliant, and do not shift color as they dry. The final result is the same as with a traditional oil painting. Turpentine and mineral spirits are unnecessary. Traditional oil mediums and solvents can be used, but water soluble properties diminish and drying times increase as the proportion of these mediums in the paint increases. As with regular oil paints, a varnish should be applied when the painting is fully dried. These economically priced, genuine oil colors clean up with soap and water, and with five non-hazardous mediums, you can achieve all the traditional oil painting techniques and styles. |
1. Ultramarine Blue 40 ml 2. Azo Yellow Lemon 40 ml 3. Quinacridone Rose 40 ml 4. Titanium White 40 ml or 150 ml even better 5. Ivory Black 40 ml 6. Medium 75 ml This is all the colors you will need. Some of the best artist of the past painted with a limited palette like this. Some of today's best artist do very well with these...Scott Christenson and Ken Auster, for example. With these colors you can mix all the colors of the color wheel. You can paint landscapes, still lifes and portraits. After learning what these colors can do you may want to add a few more tubes... 7. Naphthol Red Light 40 ml 8. Yellow Ochre 40 ml 9. Pthalo Blue 10. Azo Orange Price Comparison Ultra. Blues
Berlin
37 ml $2.65 Reds Berlin
37 ml $2.65 Gives you some idea how they compare in cost.
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3. Better Grade - Winsor-Newton Artisan |
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From winsornewton.com... Artists using conventional oil colour will require the use of solvents such as turpentine or white spirit (mineral spirits) for use when painting and for cleaning up their materials. Artisan on the other hand can be thinned with water for painting and all brushes and equipment can be cleaned up with soap and water only. This means that the use of hazardous solvents is not necessary with Artisan and as a result, artists can enjoy a safer painting environment. With this in mind, Artisan is ideal for:-
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1. French Ultramarine 37 ml 2. Yellow Lemon 37 ml 3. Permanent Rose 37 ml 4. Titanium White 37 ml or 200 ml even better 5. Ivory Black 37 ml 6. Fast Drying Medium 75 ml Optional Colors... 7. Cadmium Red Hue 37 ml 8. Yellow Ochre 37 ml 9. Pthalo Blue, Red Shade 37 10. Cadmium Orange Hue 37
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Artisan on Youtube... Water Lillies study - Richard Robinson See my new demo...The Red Apple! using Winsor-Newton Artisan water mixable oils.
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4. Better Grade - Grumbacher Max |
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Grumbacher's Max Oil Colors are identical to conventional oil colors, with one major difference — Max Oils thin and clean up with water. With Max Oils, there is no need for special brush cleaners, turpentine, or mineral spirits. Max Grumbacher's professional-quality, water mixable oil colors are made from the same pigments and linseed oil as Grumbacher Pre-Tested Oils, and they have comparable drying time. Max Grumbacher colors can be intermixed with any other oil colors or oil painting mediums, and they can be varnished after 6 months. Use at least 70% Max color, and no more than 30% of regular oil colors or mediums to retain the water miscible properties of Max Oil Colors. |
1. French Ultramarine Blue 1.25 oz (37 ml) 2. Cadmium-Barium Yellow Pale 1.25 oz 3. Quinacridone Red 1.25 oz 4. Titanium White 1.25 oz or 1.25 oz even better 5. Ivory Black 1.25 oz 6. QuickDry Medium 2.5 oz (74 ml) Optional Colors... 7. Grumbacher Red 1.25 oz 8. Yellow Ochre 1.25 oz 9. Pthalo Blue 1.25 oz 10. Cadmium-Barium Orange 1.25 oz |
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5. Best Grade - Weber wOil |
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Martin/F. Weber Co.
has over 150 years of artist material manufacturing excellence. There is
no water in the wOil formulation. The linseed oil and safflower oil
vehicles have been modified to allow the color to mix with water,
creating a stable emulsion, while retaining the working characteristics
of traditional oil color.
wOil Consistency/Viscosity - wOil
has a very smooth buttery consistency which allows ease of use for the
artist. The viscosity or thickness of the color is medium to heavy body
which can be used directly from the tube or thinned with water or with
wOil mediums as desired.
wOil Color and blending - wOil
colors can be blended with traditional oil color and mediums. wOil
Color is not classified as a water based color but can be blended with
acrylic based color (add a few drops of water).
wOil Color Luster - The
reflective quality of the wOil film varies from color to color because
each pigment requires differing volumes of oil in formulation. The
addition of water mixed to thin the color as well as the use of wOil
mediums will also alter surface luster.
wOil Permanence - Most artists
want to be sure that their colors are permanent. Pigment developments
have led to continued improvements in the lightfastness of artists'
colors. These improvements have been utilized in wOil. All wOil colors
are rated Lightfastness I or II and are recommended as permanent for
artists' use.
wOil Drying time - When wOil is
thinned with water, the water evaporates from the paint film fairly
rapidly, leaving behind a traditional film of oil that dries by means
of oxidation. The different drying rates of wOil colors are due to the
different reaction of each pigment when mixed with oil. wOil colors
should dry between 3 and 5 days which is slightly faster than
traditional oil colors.
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1. French Ultramarine Blue 37 ml 2. Cadmium Yellow Light Hue 37 ml 3. Red Permanent 37 ml 4. White Permanent 37 ml 5. Ivory Black 37 ml 6. QuickDry Medium 2.5 oz (74 ml) Optional Colors... 7. Rose Permanent 37 ml 8. Yellow Ochre 37 ml 9. Pthalo Blue 37 ml 10. Cadmium Orange Hue 37 ml |
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6. Best Grade - Holbein Duo Aqua |
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Holbein's Duo Aqua Oils are genuine oil color for the professional
artist, with the same qualities and characteristics as the traditional
Holbein Artist Oil Color. Unlike most other water-mixable oils, each Duo
Aqua color carries a full pigment load and has the mixing and tinting
characteristics of a professional paint. Duo handles like a professional oil color, yet it can be thinned or cleaned up with water. To make Duo identical in every respect to its traditional professional grade, Holbein developed a unique additive which works as a surface active agent. Any residue of this additive loses its effectiveness once the oil color is dry. Mix Duo Aqua Oils with other media, such as watercolor, gouache, or acrylic paints. Experiment with mixing media for a variety of effects. For example, Duo can be mixed with waterbased metallic, pearl, and interference colors that are unavailable in a traditional oil palette. Duo can also be mixed with traditional oil colors. It retains its water soluble characteristics with an oil mixture up to 30%. When thinned with water, a blend of Duo and traditional oil color permits delicate and fine hatching detail not easily accomplished with an oil color alone. Duo dries much faster than traditional oil colors — in as little as 24 hours — and the colors dry uniformly. This makes it easier to plan for overcoating, texturing, and correcting. It dries without the solvent odor of a conventional oil paint. A cold environment does not affect its drying capabilities. Duo can be used with the same brush and knife techniques as a conventional oil paint, and it preserves textures and brush strokes the same way that a traditional oil does. Clean brushes thoroughly after use, because paint left in the brush hardens permanently and cannot be removed with any solvent. Use only rustproof knives, because steel knives will rust. Use a plastic or aluminum palette, because a wood palette will warp.
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1. Ultramarine Deep 40 ml 2. Lemon Yellow 40 ml 3. Rose Dore 40 ml 4. Titanium White 50 ml or 110 ml even better 5. Ivory Black 40 ml 6. Artisan Fast Dry Medium 2.5 oz (74 ml) Optional Colors... 7. Naphthol Red 40 ml 8. Yellow Ochre 40 ml 9. Pthalo Blue 40 ml 10. Cadmium Yellow Deep Hue 40 ml
Waif 3
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Paint
Brushes
Canvas
Other
Optional
Recommended Book
Paint
Brushes
Canvas
Other
Optional
Recommended Book
The items
below can be found at Dick Blick!
(Bob likes Dick Blick so much he has become an affiliate!) |
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These panels are inexpensive, easy to handle and are sturdier than stretched canvas.
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1. Blick
Canvas Panel, 9 x 12", Cotton....12 ea. This is a handy size for class and it fits a standard frame as well. If you already have other size supports that will be fine. Other surfaces work, too... 2. Hardboard, 1/8" and 1/4" for larger paintings. Sand and two coats of acrylic gesso. 3. Watercolor paper, 140 or 300#, one coat of gesso both sides. 4. Canvas Pads, real canvas 'sheets', pre-gessoed 5. Canvas Paper 6. Mat Board, 100% rag, one coat shellac primer/sealer
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You may also enjoy
shopping here...
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Paint
Brushes
Canvas
Other
Optional
Recommended Book
|
Items
below can be found at Dick Blick!
(Bob likes Dick Blick so much he has become an affiliate!) |
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1. Paper
towels. 2. Jar or bucket to hold water for cleaning brushes. 3. Old shirt or apron to protect clothing. 4. A flat box or tray with a lid to carry home wet paintings. Could have three or four at the end of the session. 5. Jar lid, about 2-3" diameter to hold water. 6. Small bottle cap to hold medium 7. A small misting spray bottle usually about four inches high, not the bigger ones that can spit out large drops in the spray. 8. Mixing palette...Styrofoam plate or platter with a second one for a lid. Allows you to carry safely. Or a sheet of wax paper or butcher paper for a throw-away palette. Or commercial airtight palette -
Masterson Sta-Wet Premier Palette
without the sponge, with the disposable palette film.
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You may also enjoy
shopping here...
|
Paint
Brushes
Canvas
Other
Optional
Recommended Book
Items below can be found at Dick Blick!
(Bob likes Dick Blick so much he has become an affiliate!) |
|
1. Gesso is optional if you are using a surface that is pre-gessoed. The Blick panels come gessoed. To hide the canvas texture add several coats of gesso. If you want to make your own texture, add one thick coat of gesso. If you will be painting much you'll need gesso. 2. An artist needs an easel. But you can also paint on a table top just fine. A good 'make do' easel is a step ladder. 3. You should use hand protection. I often forget. |
1. Tri-Art Finest Acrylic White Gesso2. A table easel or a floor easel. |
Easel from
a Step Ladder: Drill two holes in the front lip of each step of an
aluminum step ladder and two more holes (the same distance apart) in an old
piece of wooden picture rail. A bolt through each hole of both the rail and
the ladder -- bingo, instant easel. Sturdy, cheap, very light, folds up,
and hangs in the tool shed.
Another easy way. video |
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You may also enjoy
shopping here...
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Paint
Brushes
Canvas
Other
Optional
Recommended Book
A couple of tips from the Yarnell PBS show
where he specifically used the
water
mixable oils by request... 1. Do not thin with water. Makes it goopy. Use water only to clean brushes. If you need to thin, use the water mixable thinner. 2. put a drop or two of linseed oil in your paint pile and mix it very well. Be very conservative. 3. Put a drop or two or three on a cloth or paper towel and cover your painting ground with a very thin coat. |
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