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Prints
now at GREETING CARDS Sailboat with nav chart Lake Pend Oreille Buying online is ARCHIVES
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News Release for Art Show: "Land, Sea and Sky", Apr 7 - Jun 2, 2007
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About Me
Robert Bissett
Listed on
AskArt.com Dec. 31, 2007
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DAILY PAINTING |
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Tuesday, March 31, 2009 Step 5...
Glacier Peak Very close to being finished. Will set it aside and see what I think in a few days.
Fine art prints of my work available at
Fine Art
America.
Monday, March 30, 2009 Step 4...
Glacier Peak
Detail
Fine art prints of my work available at
Fine Art
America.
Sunday, March 29, 2009 New Start...
Glacier Peak
Step 1 - Forgot the name of this paper. It has leaves and stems in it.
Step 2 - Wash-in/Block-in
Step 3 - Now on the easel I've switched to a painting knife.
Fine art prints of my work available at
Fine Art
America.
Saturday, March 28, 2009 A Morning of Skiing...
Loi and I at Schweitzer last Friday. Cold, windy at the top. Not a cloud in the sky.
Fine art prints of my work available at
Fine Art
America.
Wednesday, March 25, 2009 A New Painting Surface (new to me)... CARTON BOARD
"Toulouse-Lautrec and Vuillard used tan card stock for oil painting. This thin
resin-sized card stock is far more permanent than that used by the famous
painters of past centuries. Great undercolor for oil paintings. I have been
using this carton board for nearly 20 years. I tested some of it at the
beginning by taping it up in the roof of my greenhouse. After six months or so
there was some minor fading. The resin sizing that makes the board somewhat
brittle stabilizes and protects the cardboard fibers. For oil painting I like
to prime it with a coat of acrylic matte medium, which also helps with
stabilizing. Although an unconventional material, I think of it as quite
reasonably archival if it can be protected from mechanical damage, which is why
I mount it to something solid before I let it out into the world. " Carl
Judson
6X8" 10 Pack....$5.99
Fine art prints of my work available at
Fine Art
America.
Wednesday, March 25, 2009 Recorded a couple Videos recently...
Peacock Vase
Apple
Fine art prints of my work available at
Fine Art
America.
Tuesday, March 24, 2009 Last Life Drawing for a while
May have reached a new level. Last night I focused on shadows with vine charcoal. Smearing that into the paper with a finger, adding a few lines and dark spots, picking out lights with the kneaded eraser, that's all. Not there yet, but on the right track. With some luck I may get there.
Fine art prints of my work available at
Fine Art
America.
Monday, March 23, 2009 Early Suppression of Artwork by Authority Figure Reading another artist's Blog yesterday reminded me of an event from 4th or 5th grade. Every week the class listened to a radio program of classical music. I got out my notebook and began making abstract drawings in response to the music. Just seemed totally natural to do so. The teacher grabbed it out of my hand and ordered me to sit still and LISTEN! Funny how it's like just yesterday! Oil Workshop Materials List The materials list for the beginning oil painting workshop using water mixable oils has been updated and expanded. See the Materials List.
Fine art prints of my work available at
Fine Art
America.
Saturday, March 21, 2009 Red Apple....the Video.
Red Apple See my new Youtube video...The Red Apple! using Winsor-Newton Artisan water mixable oils. Holbein Duo Aqua painting...
Waif 3 The third version of this subject. Two in the water soluble oil paint called Holbein Duo Aqua and one on the computer.
Daily Warmup...
Untitled The result of playing around with Holbein Duo Aqua water mixable oils. No need for nasty solvents this paint thins with water and clean up is with water!
Fine art prints of my work available at
Fine Art
America.
Thursday, March 19, 2009 Beginning Oil Painting Workshop! Scheduled for May at Sandpoint, Idaho, Arts Alliance. Check back for exact times and dates. This course is for beginners...the fun and joy of oil painting with the new water mixable oils. You'll learn to mix any color using just three primaries, plus black and white. The 'Daily Warmup'...learn while playing...will be explained. Materials and tools will be covered. The painting process from from idea to final touch will be demonstrated. See the Materials List.
Fine art prints of my work available at
Fine Art
America.
Tuesday, March 16, 2009 Life Drawing Last Night!
Adjusted drawing
Fine art prints of my work available at
Fine Art
America.
Monday, March 16, 2009 Waif...a painting First I did a version in oils using Duo water mixable oils on canvas. Then I did one on the computer using the trial version of an interesting new program called Twistedbrush.
Waif
I like the computer image more and so I'll try again with oils. First Test with Twistedbrush...
This is a copy of a digital painting done in Photoshop by 'Henrik', a very good artist. Not the whole painting, just portion to see if I could even come close with this new program. See his full image here http://www.seunghohenrik.com/
Fine art prints of my work available at
Fine Art
America.
Tuesday, March 10, 2009 Life Drawing last night...
Reclining Nude Tough night for drawing. Still tired from the whirlwind trip to Billings. This last drawing wasn't too bad.
Fine art prints of my work available at
Fine Art
America.
Monday, March 9, 2009
Quick Draw
The Black Hat
Detail Loi posed and I painted for one hour. It's a nine hour drive from here to Billings, Montana. An interesting weekend. Sunshine an blue sky all the way over. Clouds, snow and white out at times on the way back.
Fine art prints of my work available at
Fine Art
America.
Tuesday, March 3, 2009 Monday Night Life Drawing
Something new...IDenti pen, fiber tip marker.
Not easy, but won't smudge.
Graphite and white Conte.
Article reprint... I'm posting this article which appeared in the ISAP Newsletter for January of this year because I noticed a great cartoon in the paper this morning. You will see it after the article below. A Book Review
CAVE
PAINTINGS AND THE HUMAN SPIRIT: 30,000 years ago accomplished artists left amazingly accurate and sophisticated depictions of a world long gone. The Chauvet Cave drawings referred to in this book are far older than those at Lascaux. Whitley attempts to explain the origins of art and religion by citing the latest archaeological evidence and findings of neuroscience. He suggests a new understanding of shamanism, artistic creativity, myth and religion. One reviewer says, ‘For those who love mysteries that are unraveled through careful thought and twists in a story, this book is a must. For those like to sink their teeth into details that nobody else has written about, let alone done painstaking research, this book is a must. But most importantly, it is just a fun read.’ Lots of mammals were considered interesting enough to record way back then. Cave bears, ibexes, lions, horses, but no people. Seems odd to us. Wildlife art is still popular, but Art Business Today tells us that it is only number eight out of the top ten best-selling subjects. The top three are landscapes, local views and semi-abstract landscapes. Number four is abstracts, followed by dogs, figure studies and number seven: seascapes, harbor and beach scenes. Next is wildlife, then impressionistic landscapes and finally nudes. Notably absent is religious art. Why do Whitley and his fellow academics insist that cave drawings must have some religious significance? Religious art today is nothing more than a niche market. His thesis says far more about Whitley’s modern mind set and world view than it does about the cave artists themselves. The last ice age ended about twelve thousand years ago. Prior to that it was cold and winter lasted a long time. Since archaeologist have not found enough burnt wood to prove long term occupation they tell us the caves were used only for ceremonial events. Therefore, the cave drawings had to have been religiously motivated. Does that make sense? Caves would have offered by far the best chance to make it through the winters unless they went south. Bear in mind that around the world people still live very comfortably in caves all year. Here in north Idaho we heat with wood. It’s common knowledge that the best way to start a fire is to use the burnt wood from the previous fire. In a thousand years when they dig up our fireplace and date the charcoal will they conclude we only used it briefly and therefore it was ceremonial?
In the lion drawings I see an art workshop. The lion head on the left was done by the master. The three to the right are copies of the master by three different people. Notice how they took advantage of the suggestive defects in the rock. Cave paintings appear to be embellished pareidolia. We have all seen animals in clouds, natural rock and else where. The cow jumping over the moon is a well known example. Don't we love to point out pareidolia to others? My suspicion is that those long ago artists were a lot like artist today. They did artwork for their own amusement and to amaze others. Soon as a child can stand and hold a crayon, what do they do? That’s right, they draw on the wall! Does anyone teach them to do that or do they mimic adults? Nope, completely instinctive. A natural, pleasant, interesting and very human way to pass the time. A nice change from telling stories around the camp fire.
Fine art prints of my work available at
Fine Art
America.
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